Four Shapes of Pensacola

Pensacola Epilogue #1

Well it’s been just over 4 months since we got back from Pensacola. So much has happened. As soon as we got back, a flood of administrative and teaching duties came our way from having been away. And then, a few days later, I got really sick with symptoms remarkably similar to COVID-19, and passed it on to Alex. Then as we were both recovering we were told to prepare for the University to shut down.

The ensuing months were difficult but enlightening. We tried to keep up production but the reflection needed to understand the pandemic situation and enforced isolation inhibited a free flow of ideas. We still very much valued the experiences we had in Florida and the data we collected, but they became distant very quickly as the more immediate situation enfolded.

It wasn’t a complete shutdown of creative activities. We tried to work with the Camellia scan data. We processed it in different ways. After a while we had to admit we just weren’t falling in love with them. There was just something about the composition, the too-much-ness of Camellias, that thwarted our efforts. It may be that they can’t be treated as a standalone study. They may find themselves interjected into the other works. And this, in a way, seems fitting given the way we encountered them in Pensacola. They were very ordered, prim, in contrast to the wildness of the bayou and forests. Yes, they were everywhere in the city but somehow seemed like an addition. Like a lawn. Here is a frame from one study of the Camellia data:

camellia scans

Camellia scans processed through Touch Designer.

Recently as things have started to reopen and become more predictable, I started to play around with the shapes we had scanned on a rainy day. I also started to think about the colours we saw when we went down to the beachfront — bright joyful colours reminiscent of carefree beach holidays. This too seemed to be Pensacola. Again the contrast. In the end I made a composition of 4 of the shapes onto bright saturated backgrounds (featured at the top of this post). It may still change (maybe the camellias make an appearance??). We want to try printing it with the Risograph at Emily Carr. This is a standalone study for the mushroom shape (the accident that started it all):

Mushroom Shape

An accidental mushroom

There is still much to investigate and document from our time in Florida and we will keep going in fits and starts as we deal with all the changes in our lives.

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A Bayou Bouquet

Today was a Bayou bouquet, literally and figuratively. We actually did go out and collect a bunch of Golden Clubs from the Bayou, and the rest of the day was a diverse mix of class and individual visits, printing of Hurricane Alex print, processing of the shapes scan from last weekend, artist talk, and wonderful dinner out with our new Pensacola friends.

Maria spent a good part of the day altering and cleaning the scan of the shapes to get them ready to be masks in TouchDesigner. Here are some results from those efforts:

Alex spent a good part of the day processing the files from the Hurricane Alex scanning experiment for printing, including some detail subsets. When the first print came out we weren’t happy with the level of contrast but noticed that when oils from our fingers got on the print, the blacks became blacker. So we rubbed mineral oil all over it and this helped a lot. We know Carlos will be interested in our hands-on innovation :–) The print now hangs in the studio space. Below is a detail:

We also went for a quick jaunt to the Edward Ball trail head to gather more of the Golden Club that a student had gifted us a couple days ago. We collected a whole bouquet of them and found a couple of mushrooms to add to it. Almost every one of them were added to the progressive scan. Here is a scan snippet with a part of the original Golden Club:

 

We have two scanners working now – one is working on the progressive scan mentioned above, and the other is our camellia scan. The camellia is deeply embedded in the land and culture of the Florida Panhandle. When we flow the scans through touch designer back in Vancouver we will be experimenting with layers, transparency, colour, texture, shape, speed and rhythm to capture this flower in its cultural complexity.The image below shows a red variety crisply dehydrated:

The end of our day found us discussing our installation and AIR discoveries in an artist talk held in the gallery. We had a warm and curious audience that, through their questions and comments helped us see how much we had done here. The innovative open studio model of this residency has been excellent as a method of generating ideas and materials. The format allowed us to become integrated into the creative community here in a natural, seamless and enchanting way. We will miss these people and this place!

The final part of our day was spend in the quaint part of Pensacola at a great Indian restaurant with the friends we’ve made here. As we left we looked up and saw this  charming chiming ceiling they’d installed to welcome diners and also offer a delightful goodbye.

 

 

 

 

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A visiting day

Working with the delightful students here has defined our day today. At 8am, Thomas Asmuth and his digital foundations class viewed the installation and conversed with us about the process of creating it. Afterwards we walked through the campus Bayou (Edward Ball boardwalk trail) and found ourselves seeing it anew through the lens of the local knowledge and memories of our guest walkers. Thomas identified the fish in the water, (blue gill and small mouth bass) and many, many of the plants – he even spotted an exotic, definitely non-indigenous, opportunistic taro plant tribe. How it found its way there is a mystery. Alyx Jeffreys, the student in our feature image, brought a handheld bluetooth digital microscope that allowed us to see the bayou in a completely new way. She also had a regular SLR and took some wonderful images – including this lichen.

photo courtesy of Alyx Jeffreys

The students thought ahead and brought bags for collecting garbage and left the bayou better than they found it. We heard about the behaviours of local wild life (Dylan had intimate knowledge of possums – not as cute as you’d think). We saw lots and lots of spider webs of all kinds. It was unclear whether we were seeing so many because they were made more visible by the rain or if the rain had somehow prompted the creation of more webs. They were hard to photograph but we all tried. The view with the microscope was very interesting, especially viewed sidelong.

  

The collection from this walk collection yielded new pine life, new ferns, and new mushrooms including a tapioca slime mold (ok, not technically a mushroom). Wikipedia claims that this slime mold got its official name, Brefeldia maxima, because it was thought to be particularly ugly. Granted, the specimen we saw was not so big but judge for yourself:

Alyx got a picture of it using her microscope and it looked like snow crystals. I hope we get our hands on this picture to update this post!

In the early afternoon, Nick Crogan, the director of the Pensacola Museum, brought his museum design students to visit us. We discussed all aspects of the exhibit, from conception through to visual technique to production and the the multiple changes and adjustments we all went through in the installation process. We also discussed the unusual format of being highly visible and interactive visiting artists-in-residence and all the advantages that this format has had for us.

Yesterday Noah, a ceramic and sound student had brought up the idea of bringing in physical bowls that could be played in response to the soundscape Simon Overstall created for the installation. He came in with a variety of bowls today and Maria and he experimented with recording them in a rehearsal room using the 360 microphone (Rode NT-SF1 Ambisonic mic). On Thursday we will try recording them in tandem with the installation.

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Campus X

Today our walk began thematically at parking lot x – leaning into Jeff VanderMeer’s Southern Reach trilogy. Venturing past the nature trail and bayou on the campus we moved towards the larger Escambia river that flows into Pesacola’s Escambia Bay. Ultimately we didn’t find foot access to the big river, but we did find our way to a larger, deeper part of the Conecuh (pronounced Cah-NECK-ah) river that feeds the bayou on the campus.

Following an unmarked, decommissioned road we came to a dock on a deep, slow-moving part of the Conecuh. It sported a rich wetland with grasses, watery ponds and an abundance of the chaotic forest style that is typical here. In addition to the deep stillness that typifies the bayou at this time of year, there was a low persistent thrum coming from the large smoke stack of the Gulf Power Crist Plant – a plant currently run on coal, that has been negatively affecting the ecosystem with its run-off. Maria made a few sound recordings, but the sound that was captured was overwhelmingly the deep bass sound emanating from the plant – making us wonder how deeply it affected the ecosystem as it runs day and night. In Jeff’s trilogy Area X manifests and captures land that transforms into pristine primordial nature with its ecosystem revitalized. Area x also has the power to transform humans. A bit of this magical thinking would go a long way here.

Entropy is evident in this place. Perhaps it’s less so during the growth season, but the bareness of the winter reveals primary strategies. Mushrooms and lichen colonizing their hosts. Plants that rely on each other to climb have created loops of intertwined branches that have unwittingly captured falling twigs. All of this forms unlikely assemblages that are beautiful chaos. This place is messy. Messier than Vancouver. Primed by the stillness and grey cast of the day, our minds were stopped by a saw palmetto shoot moving vigorously back and forth in the otherwise stolid forest floor. Nothing moves like that without some sort of very directed energy. We surmised that a creature was digging a tunnel and affecting its root system. The uncanny nature of the event (captured on video) woke us up — pure enchantment. We also came across a lonely champion twinkleberry tree. Apparently the biggest twinkleberry ever spotted. It was awarded this distinction in 1977. We don’t know if another has surpassed it. It certainly looks worse for wear and its trunk is being devoured by champion termites. The whole scene was desolate and abandoned. So strange to be labeled a champion and left to die on this unloved road.

 

On our return walk to the campus we visited the camellia garden and returned to the studio with 10–15 varieties. We started a camellia scan based on a visual strategy we developed over three years ago for a begonia. The rounded corners, and squarish shapes seems just right for the over-the-top aliveness and attitude of the camellia.

We also received plant gifts from students in Robin Blyn’s class who dropped in during the afternoon. The ferns and shoots (including a swamp shoot!) they brought in will find their way onto tomorrow’s progressive scan. Carrie Fondor’s thoughtful New Genre class dropped in this evening and gave us some great feedback and inspiration for new directions to take the work. We heard about the Taj Mahal of Pensacola and also got some great tips about the Blackwater park. Some of the students may be joining us on our walk at 8am tomorrow!

 

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Foxtrotting

Today we walked with four lovely students! When we got to the studio this morning we were surprised to see people waiting to go on a walk with us because we hadn’t seen any names on the signup sheet before we left yesterday. So nice to have these wonderful enthusiastic people joining us. Rebecca, a student who knows the campus trails very well, offered to lead the group through the boardwalk bayou to the Foxtrot trail and back. The sky was cloudless, the air crisp and cool – a perfect day for an outing. We walked for 3 hours discovering more and more life within a seemingly dormant bayou. As happens every time we go on a walk, the eyes adjust to the details gradually. Initially we engaged in conversation about life, school, their experience with the campus, nature, etc. But as the enchantment of nature took hold, we started pointing out details like minnows, scales on scaly pines, spider webs, decaying trees, grasses.

We made a rule that we (Alex and Maria) would not collect anything on this walk. It would be the responsibility of the guest walkers. This would prove to be hard for us but ultimately the right choice as it was fascinating to see what they picked up, being locals. We did have some influence, particularly on how much of each thing was taken (they were more timid at first). In the end we had two bagfuls of bark, branches, grasses, mushrooms, needles, and more.

When we got back to the studio, we arranged our collection on one of the tables. Unfortunately Alex and I had to jet downtown for a talk but we left the very capable guest walkers with the task of coming up with rules for how we would set up the scan the next day. We still haven’t seen these rules but very much looking forward to the process of interpretation tomorrow morning when we quickly drop in to the studio before going downtown for the colloquium roundtables.

 

 

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Feb 25 details of materials

Epic Walk Diaries (February 25)

unscrambled trail
   local sun muse
       stay away
        the edge the ground
     may give way
     
giving in
  sliding to low tide
   the city out of the girl
       out of bounds
        boundless
  bounding soft
     into moss
         turkey tail!
       under trees
 picking through snags
  snapping twigs
       the path

seeing double
   wondering still
   what is not seen
       undisturbed
      unpicked
   unknown

cauliflower mushroom ears
  corals of many generations
    soft
       colonized green
   between land and sea

eagle down feathers
   a good omen or
       death
     soft silvery
       bundles

       steps away
          a duck head
       dappled by the sun
   mistaken for a flower

musical snakes
   ancient ribbed hollows
     polyester original
  pull tok! pop a cork
    scouring rush

parting the bullrushes
    into waves of bleached ecru
  vectors of tides gone-by
      rogue log paths
          an invitation to fall
    unexpected freedom
 joyful anarchy
   bodies holding 

pull up your crazy pants
   round the point
     go up the delta
        oh Freud
 you missed half the fun

crumbling the rust cigars
   exposing soft nests
        snow
     seeds into wind

quiet irregular thumps
    woodworking
  human like
     chips fall from above
 perky upright redhead
   eating nesting 
      beautiful winged flight
  apologies 

oasis surprise
   lawn   log     tree
     perfect for a picnic
 untouched

boundary creek
   parallel tree crossings
 musqueam now
    forward and up
      breathless
   green groomed
        white

------
[
  Start 12:30pm
  End 4:46pm
  Still existing mushroom marker to
  soothsayer, pass Lola again,
  back to mushroom
  scramble down to trail
  obstinately remain despite every kind of obstacle
  side road to bullrushes, logjams
  meandering onto the trail and back to shore
  crossing into Musqueam land
  scrambling up to Shaughnessy Golf Course
  onto the greens, jumping the fence
  onto Marine Drive, back to Forbidden road
  and Lola.
]
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Epic Walk Diaries (January 6)

rovers range
in the land
  of range rovers
   tailgates
   how we morally suffer
     and laugh

delta seeking
  not quite there
    not yet
   we walk on role playing
      trails
  walking as mother
   as canadian not canadian
 loner

a hollowed trunk
  tunnels to fresh Starbucks
 car tire support
    surprise to one
  detail to another

miniature forests
  of primitive intruders
    horsetails
 primitive
   needs re-valuation

logs wounded
 colours of blood and fire
  the storm disrupted
    for us
    you need mostability
 "don't take the lower trail"
  we do
   treasures of lichen bullrushes
     tiny brown mushrooms
       mother lode
     skeletons of summer

? what is that ?
   an urban translucent orange
    slimed
      chewed gummy bear
  fungalien

buds on sideway trees
  mushroom forests
    a mostability of life
 everywhere

this time
  yes to geraniums

exit through disobedience
  water falls
    sounds to remove noise
   fractioned into our phones

 ---
[
  Start 2:11pm
  End 4:20pm
  Fraser lot to trail 6
  Wreck beach expanse with log jam
  through storm disrupted lands
  lower forbidden trails
  lots of mud
  to designated smoking area
  treasures of washed in sand
  perfect for sand castles
  through obstacle courses
  makeshift bridges
  to trail 7 and gushing waterfall
  up forbidden stairs
  onto forbidden road
  back to Lola (and 49th)
]
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