Flower

Thoughts on a pandemic

So much has been written. What could I possibly add? I could point to the things I have repeated over and over to myself, to others. To the similarities. To the contrasts.

The shame of pandemic nostalgia. The privilege of living through this and feeling there was ground under my feet. Being able to reflect on a silver lining. The contrasts were stark — the suffering elsewhere so immense as I sat beside a pond recording birds and appreciating the slow quiet.

Shame because I know I don’t deserve this position. I have been incredibly lucky. Responsibility too. Given this oddly shaped bubble of retreat, how do I emerge with even more resolve for the good? How do I resist the undertow of recreating the old?

How did I lose the “we”? Is this what social distancing does? We are all living through this but in many different ways. Is there a stream, a song, that might connect us all at the exit? Is it BLM? Social Justice?

But it’s not over, I hear again and again. Yet I can feel the acceleration. Now it’s both. The virus and the machine.

I desperately want us to make wise choices. I want us to emerge with a sense that if we could do this, we can do anything. We can restructure for a slower world that includes the songs of birds as treasure.

If there is a song of reinvention, is it dissonant? I realize I have lost faith in universality. And yet, a part of me resists. There is an objectivity in what nurtures, what connects, what heals. Surely, a stance of courage and love for the world is universally desirable. I need to believe this. I listened to a podcast once that asked the question “What belief do you hold that, if proven wrong, would fundamentally destabilize you?”. At the time, I couldn’t answer. Now I could.

I know the rest of this year will be both unbearably hard to watch, and arrestingly beautiful. The contrasts will continue and with them a call for expansive and acute awareness.

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Four Shapes of Pensacola

Pensacola Epilogue #1

Well it’s been just over 4 months since we got back from Pensacola. So much has happened. As soon as we got back, a flood of administrative and teaching duties came our way from having been away. And then, a few days later, I got really sick with symptoms remarkably similar to COVID-19, and passed it on to Alex. Then as we were both recovering we were told to prepare for the University to shut down.

The ensuing months were difficult but enlightening. We tried to keep up production but the reflection needed to understand the pandemic situation and enforced isolation inhibited a free flow of ideas. We still very much valued the experiences we had in Florida and the data we collected, but they became distant very quickly as the more immediate situation enfolded.

It wasn’t a complete shutdown of creative activities. We tried to work with the Camellia scan data. We processed it in different ways. After a while we had to admit we just weren’t falling in love with them. There was just something about the composition, the too-much-ness of Camellias, that thwarted our efforts. It may be that they can’t be treated as a standalone study. They may find themselves interjected into the other works. And this, in a way, seems fitting given the way we encountered them in Pensacola. They were very ordered, prim, in contrast to the wildness of the bayou and forests. Yes, they were everywhere in the city but somehow seemed like an addition. Like a lawn. Here is a frame from one study of the Camellia data:

camellia scans

Camellia scans processed through Touch Designer.

Recently as things have started to reopen and become more predictable, I started to play around with the shapes we had scanned on a rainy day. I also started to think about the colours we saw when we went down to the beachfront — bright joyful colours reminiscent of carefree beach holidays. This too seemed to be Pensacola. Again the contrast. In the end I made a composition of 4 of the shapes onto bright saturated backgrounds (featured at the top of this post). It may still change (maybe the camellias make an appearance??). We want to try printing it with the Risograph at Emily Carr. This is a standalone study for the mushroom shape (the accident that started it all):

Mushroom Shape

An accidental mushroom

There is still much to investigate and document from our time in Florida and we will keep going in fits and starts as we deal with all the changes in our lives.

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